I've started an experiment called the Share the Music Project. I was watching the sunset, listening to my favorite CD while sipping a cabernet, when all of a sudden I got this brilliant idea...

...Actually, that's not how it happened at all! I wish it was my idea, but I borrowed it from a trumpet player named Jason Parker, who borrowed it from an artist and writer named Christine Mason Miller. Nevertheless, I thought it was a great idea, and I wanted to recreate it using my new CD, Never the Same.

If you've ever read All I Really Need to Know I Learned in Kindergarten (http://www.robertfulghum.com), you might remember that the first part goes like this:

All I really need to know about how to live and what to do and how to be I learned in kindergarten. Wisdom was not at the top of the graduate school mountain, but there in the sand pile at school. These are the things I learned:

• Share everything.
• Play fair...

Well, I've decided to share! I am setting my CDs free -- or at least, some of them! I'm sending out an undisclosed number of CDs (because I haven't decided how many!) as gifts to be shared. Each one has a laminated card attached that says, in part:

This music is a gift for you! However, please do not accept it unless you are willing to participate in a social experiment and follow these very simple instructions:

• Email your first name, the CD number, and location (city, state, country) to share@charleylanger.com.
• Listen to as much, or as little, of this CD as you like.
• Pass this CD on to someone else (preferably in a week or so) who is willing to accept responsibility for following the same very simple instructions.

I plan to enlist your help, and hope to have CDs placed across the US and the world. Sound cool? I think so! Here are pictures of the CDs and the actual text:

 

Bret Robertson has a real cool music blog called More Than Noise. I am featured in an in-depth interview this month. I'm pretty sure you'll learn some things about me you never knew! Go check it out here!

That day, for me, happens to be June 30th. I'm not sure what it is about that day, but things just seem to happen! I don't plan it intentionally. I don't need to.

Does anyone else have "a day of significance"?

I started my first job out of college on June 30th. I was married on June 30th. We moved to Hawaii on June 30th. My oldest daughter was born on June 30th (yeah, try to plan that one!). We moved to California on June 30th. Escrow on our new house is scheduled to close on June 30th of this year. It certainly seems to be a day of change!

Speaking of escrow closing, here's the new abode:



Some day I should tell you about all the unique coincidences that led to this house...

One of the cool things about the social media craze is that artists have the opportunity to share themselves more transparently with others. I think that freaks some people out, but I love it!

Anyway, I've been practicing like a fiend. I typically record my practice times so I can listen more objectively and critique myself. The thought occurred to me that what is a self-improvement workout for me might actually be enjoyable to listen to by someone else. So, welcome (virtually, of course!) to my home studio where I practice!

This song is from last night's practice session. It's a beautiful ballad called For All We Know. I improvised over the chord changes for the first chorus, and embellished the melody for the second chorus. I added a touch of reverb and delay for some ambience, but everything else is just as I played it -- plastic practice reed and all. This is the raw me playing in a "pop" style over a jazz standard.

I like it. I hope you will too! Feel free to download and share.


P.S., The backing track is from http://www.playjazznow.com. If you're looking for jazz backing tracks, check 'em out. They do a great job!

A number of years ago, I was asked to participate in a live radio concert. It was a tribute to composer Halsey Stevens, who had just passed. Zita Carno, pianist for the Los Angeles Philharmonic, was my accompanist. Zita is a wonderful, fun lady, and a terrific reader. The performance went very well, and I was basking in the afterglow when I got a tug on my sleeve...

The tug on my sleeve was the host of the show, asking me if I would mind doing a quick interview. I reluctantly agreed. He sat me down in front of the microphone and said something like, "Charley, you just played Dittico by Halsey Stevens -- what made you pick that piece?"

I could not think of an answer. I felt like asking him why he liked chocolate ice cream. Maybe he thought I had some profound insight into the music and could elaborate on thematic development, harmony, color -- I don't know what he was thinking. It was the shortest interview I've ever done. It was probably the shortest one he'd ever done too.

I was priviledged to be interviewed today by Jeffrey Callison, host of KXJZ's (NPR) Insight radio program. It was a bit of a redemption for me. It actually went reasonably well. I am, however, still somewhat emotionally scarred from an interview I did a number of years ago. I will save that story for another time -- it's quite hilarious, but I'd rather focus on what went right today. So...here it is!

Charley Langer “Never The Same”
November 17th, 2009

Saxophonist Charley Langer has assembled a fantastic group of accomplished musicians for his debut album Never the Same. This is not the typical jazz compilation of artists but rather an awesome blend of classic rock, peppered with jazz with a hint of classical. Langer himself has a Masters Degree in Saxophone Performance from the University of Southern California where he studied under classical saxophonist Douglas Masek. On the flip side, Langer currently is the arranger and wind section leader for Sacramento-based Steely Dan tribute band Steelin’ Dan. To help combine and perfect the best possible mixture of rock and jazz, drummer Ron Wikso, who has shared the stage with numerous rock legends, produced the album.

In the title track Langer plays alto and exhibits a well-controlled medium-fast vibrato at the end of his phrases. His bright, polished sound soars nicely over the rhythm section and his solos are crisp and not too busy. Every note is well articulated and defined yet rounded off giving a sense of aural smoothness. Langer switches to soprano in “Epifania” and blends extremely well with the tenor saxophone and brass. This trio of wind instruments expertly plays every trill precisely as one. Unlike the thin tone of Kenny G, Langer embodies a fuller sound on the soprano. Additionally, he utilizes the full range of the instrument instead of simply sitting on the high notes. Switching back to alto for “Once in a Lifetime” Langer this time blends nicely with the keyboards who crescendo on long tones underneath the saxophone melody, then burst out with fun little fills at the end of phrases. Renowned salsa bandleader Michito Sanchez adds to the energy with his esteemed percussion skills.

Another prominent musician on Never the Same is guitarist Kurt Griffey. Like Wikso, he boasts an impressive resume of rock gigs and adds a unique flavor to Langer’s songs that definitely make this jazz album stand out from the typical smooth Weather Channel tunes. “Remember When” opens with the electric guitar and like a flower unfurling its petals, the song slowly gains momentum before it reaches its stride where Griffey and Langer share a pleasant conversation. Griffey then expounds into a slightly overdriven solo that is dripping with sophisticated coolness. Like Langer, his tone is clear, expertly controlled and never obnoxious. In “City Lights” both musicians get a little more adventurous with their respective solos. Langer displays a formidable solo, wailing out the high notes underneath Wally Minko on the Hammond organ. Griffey’s solo is equally as awesome as he gets more tastefully raunchy than previously heard. True musicians of course have to be adept at different styles as is evident in the following track “Gray Skies.” This melancholy ballad displays soul-bearing musicianship, with Griffey’s playing this time oozing with sincerity as he solos with minimal effects.

The only song on the album not penned by Langer is the closer “Espressivo.” Not to detract from anyone’s fine playing, but the blend does not seem to work as well in this tune. Minko this time is on the piano, where he opens the number with a full minute of quiet, incidental music before the rest of the band joins in. Langer is on soprano again, but it inadvertently tends to draw attention to itself, not due to Langer’s playing, but due to the overall mellow timbre of the rest of the musicians. Mark Morris on guitar plays relaxed arpeggiated solos under the piano and Ed McGlaughlin on bass gets to solo – which he does a fine job at – but the soprano saxophone flourishes simply seem out of place with the rest of the song. It is not until the coda that an aural blend finally seems to have been established with Langer playing dreamy repetitive long tones, but this mood is unfortunately interrupted by the noodling and trilling in the fade out.

Overall though, Never the Same is an excellent album and a real treat for listeners who crave something new and exciting from the same old same old “smooth jazz” genre. Langer has made some excellent friends who will hopefully continue to collaborate and churn out more fabulous music.

Reviewed By Kelly O’Neil, ReviewYou.com; staff writer for  CCM, U and CrossWalk magazines.

Well, I'm pretty excited. Several years of writing and recording, and nearly a lifetime of developing skills, have culminated in my new CD, Never The Same. I was going to say, "I'm proud of it," but that would sound...uh...prideful! However, I am satisfied with what has transpired.

Frankly, although music is a service industry...and I do want to serve people in music...this work is very much an expression of my heart. As I read through the titles, memories and emotions emerge. Some are happy. Some are less than jubilant. Some are deep and perhaps even a bit esoteric. All emanate out of who I am.

I remember the day I wrote Gray Skies. Upon hearing it, Vicky (my wife) said something like, "Have a rough day today, Honey?" The song wasn't meant to be depressing. I like to think of it as "contemplative". I happen to like gray skies and foggy days. They soothe my soul.

The title track, Never The Same, has meaning on many levels. It's probably the closest thing on the album to a "feel-good" tune. Things change, and change is good. People change. I've changed, and I sincerely thank God for that (and so does Vicky)! My taste in music has changed, and this CD reflects my somewhat eclectic musical interests.

Anyway, I hope you enjoy the CD. However, even if you don't, that wasn't really the point. But, I hope you do. I like it!